I enjoy using ilford 3200 at iso 800....
I enjoy using ilford 3200 at iso 800....
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Roy
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Most of my film shooting is black and white, and generally speaking I use either Kodak Plus-X 125iso or Kodak Tri-X 400iso depending on the situation. As far as the equivalent Ilford films go, I like FP4+ just as much as Plus-X, but Plus-X is cheaper. HP5+ is good but to me Tri-X just has that little something extra that appeals to me more.
Currently, using HP5.
Crumpler 5 Million Dollar + Canon EOS 7D + Canon EF 24-70mm f/2.8 L USM, Manfrotto tripodPrevious owned gear: Canon EOS 400D, Canon EOS 40D, Canon EF-S 18-55mm f/3.5-5.6, Sigma 24-70mm f/2.8 EX DG, Sigma 30mm f/1.4 EX DC HSM, Macro Canon EF 35mm f/2, Canon EF 50mm f/1.8, Tamron 55-250m, Canon EF-S 60mm f/2.8 USM Macro, EF 85mm f/1.8 USM
Hello, what I used to use was Agfa 25asa/iso until it wasn't available anymore then Agfa 40asa/iso with Rodinal at a dilution of 1:100 to give me super sharp negatives and excellent tonal gradation. I found that the combination of Agfa film and Agfa developer gave the best results. The Ilford 50asa/iso just didn't cut the mustard for sharpness whilst Kodak 50asa/iso gave very good tones but it also wasn't sharp enough (for me anyway). For impact with reportage style photography tri-x 400asa/iso developed in Kodak D76 was great for impact!
The slow films were brilliant for portraits, as there were times when we were enlarging to 20x16 (inches). I spent around 30 years with photography and tried almost every combination at the time but, always came back to the Agfa combination. The secret (if there is one) is in using Rodinal at the highest dilution ratio. I have even tried 1:300 ratios, but the best overall with regards to time etc. was 1:100 ratio. I personally wouldn't use Rodinal with any film faster than 100asa/iso it was only meant for slow speed films. Regards Tony.
hi everyone ive been using
ilford fp4 125
ilford hp5 400
process and print the above myself
friend gave me a roll of fujichrome sensia 100 color slides havent used that before
kodak or fuji for color.. dont really shoot in color film
i usually don't shoot chrome anymore, i much prefer the pastel colours i get from fuji 400h rated at about asa200. b&w can be pan f, tri-x, delta, hp5, fp4, or neopan varieties.
Last edited by TOM; 05-07-2010 at 1:38am.
I have tried countless, and I have found the small handful which I usually trust and use.
Fuji Neopan 400 and 1600
Fuji Superia 400 and 1600
I'm a nocturnal beast. Most of the day time I hide in the office.
For my day shoot and trips.
Ilford HP5
Fuji Provia
I like using BW400CN for black and white but have only just finished my first roll of true B&W, HP5+. Otherwise mainly just the supermarket stuff. I've never shot E6 before and would love to try.
I've heard good things about Velvia 50, maybe that'll be next. Now I just need to learn how to develop...
i too have been using BW400CN film lately, just find it easier to develop locally
Canon 7D, 550D, 1N HS, EOS 88, 17-55 2.8, 18-200mm, 10-22mm, 28mm f/1.8, 50mm f/1.4, 28-105
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Mamiya RB 67 Pro-S 90mm C, 180mm C
Mamiya M645 1000s, 35mm C, 80mm C, 150mm C, 210 mm C
430EX II, Benro Tripod and Monopod
and a bunch of toy cameras!
-Tim
superia 200 for my 35mm and still testing the 120mm
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