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Thread: Canon 11-24/f4L

  1. #21
    Shore Crawler Dylan & Marianne's Avatar
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    haha arthur - I guess apart from my 2x extender, my 16-35 is my smallest lens too!
    Call me Dylan! www.everlookphotography.com | www.everlookphotography.wordpress.com | www.flickr.com/photos/dmtoh
    Canon EOS R5, : 16-35mm F4 L, 70-200F4 canon L, 24-70mm 2.8IIcanon L, Sirui tripod + K20D ballhead + RRS ballhead. |Sony A7r2 + Laowa 12mm F2.8, Nisi 15mm F4
    Various NiSi systems : Currently using switch filter and predominantly 6 stop ND, 10 stop ND, 3 stop medium GND
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  2. #22
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    Quote Originally Posted by Dylan & Marianne View Post
    haha arthur - I guess apart from my 2x extender, my 16-35 is my smallest lens too!
    Me too - the 16 -35 covers most close in situations for me.
    Canon 6D
    Canon 40D
    16-35 L 2.8 11 USM
    24-105 L IS USM
    70-200 2.8 L IS USM 11

  3. #23
    Ausphotography Regular
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    I'm evaluating the possibility of buying the 11-24mm, though the cost means that it would need to be a swap for my existing TSE-17mm tilt shift lens.

    The TSE-17 is an incredible lens, but I find that I don't use its capabilities nearly enough. Occasionally I use the shift to keep buildings straight, or tilt to increase DOF, or shift to capture three frame panos.... but most of the time I'm just using it as a wide angle lens... albeit one that isn't actually that wide. I reckon I'll have more fun with an 11mm UWA lens.... decisions decisions...
    Last edited by Tricky; 11-06-2015 at 10:22pm.
    Richard
    Canon 5D4 & 7D2 | 11-24 f/4 L | 24-105 f/4 L | 100-400 L II | 85 f/1.2 L | 35 f/1.4 L II | 100 f/2.8 L macro | MP-E 65 f/2.8 macro | 1.4x | 580EX2 | MT-24 Twin Lite | Manfrotto


  4. #24
    Ausphotography Regular wideangle's Avatar
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    Quote Originally Posted by Tricky View Post
    I'm evaluating the possibility of buying the 11-24mm, though the cost means that it would need to be a swap for my existing TSE-17mm tilt shift lens.

    The TSE-17 is an incredible lens, but I find that I don't use its capabilities nearly enough. Occasionally I use the shift to keep buildings straight, or tilt to increase DOF, or shift to capture three frame panos.... but most of the time I'm just using it as a wide angle lens... albeit one that isn't actually that wide. I reckon I'll have more fun with an 11mm UWA lens.... decisions decisions...
    Out of interest if you were just shooting architecture would you prefer to keep your 17mm TSE or would you be still tempted to go with the 11-24mm?
    please ask before PP my images

    "Life is what happens to you while your busy making other plans"

  5. #25
    Ausphotography Regular
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    Quote Originally Posted by wideangle View Post
    Out of interest if you were just shooting architecture would you prefer to keep your 17mm TSE or would you be still tempted to go with the 11-24mm?
    Hi Widey, I suspect the TSE 17mm is probably better at shooting architecture, as it gives you the option to get geometries right first time "in camera", without having to correct them later in PP. However, there is a little bit of fiddling around with the TSE 17's various knobs - this both adds to the experience (I guess its immersive) but equally can interfere with spontaneity... really depends what mood I'm in .

    I haven't tried the 11-24, so don't know yet from personal experience how it goes with buildings. Guess its a trade off: a few mm extra width vs no shift capability. Both cracking lenses.

    Since my earlier post I've decided to make the swap, sell the TSE and buy the 11-24... hope I'm doing the right thing. Wouldn't be the first time I've had post lens sale remorse!

  6. #26
    Ausphotography Regular
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    Thought I would return to this thread as I've now completed a swap of my TSE 17mm for the 11-24mm. It was a wrench to see the 17mm go (it is a truly unique lens) but it took just a few minutes with the 11-24mm for me to feel relieved that I'd made the right decision.

    The 11-24 is insanely wide. Its an experience just alternating between normal eye view and the viewfinder.

    Its a challenge to use - even the slightest deviation from dead straight results in huge perspective / convergence issues.

    So far I've only had a quick test shoot walking around Brisbane - some examples below.



    Note the 18 point sunburst! I was almost touching the statues' nose...


    Last edited by Tricky; 12-07-2015 at 7:59pm.

  7. #27
    A royal pain in the bum! arthurking83's Avatar
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    Good work T!

    I'm guessing that it's similar to the Sigma 12-24 when it comes to wide.
    Keeping your feet out of the capture area when shooting in portrait orientation will be something to watch for too!

    The stopped down star burst highlight detail looks nice ... much nicer than the Sigma can produce
    Nikon D800E, D300, D70s
    {Nikon}; -> 50/1.2 : 500/8 : 105/2.8VR Micro : 180/2.8 ais : 105mm f/1.8 ais : 24mm/2 ais
    {Sigma}; ->10-20/4-5.6 : 50/1.4 : 12-24/4.5-5.6II : 150-600mm|S
    {Tamron}; -> 17-50/2.8 : 28-75/2.8 : 70-200/2.8 : 300/2.8 SP MF : 24-70/2.8VC

    {Yongnuo}; -> YN35/2N : YN50/1.8N


  8. #28
    Ausphotography Regular rexboggs5's Avatar
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    A question - what IS the best lens for a Canon camera for astro-photography, and in particular for Milky Way photography? I currently have a 5D3 and a 16-35mm lens.

  9. #29
    Ausphotography irregular Mark L's Avatar
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    Quote Originally Posted by rexboggs5 View Post
    A question - what IS the best lens for a Canon camera for astro-photography, and in particular for Milky Way photography? I currently have a 5D3 and a 16-35mm lens.
    Starting a new threat with this question might get a few informed answers.

  10. #30
    can't remember
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    ^ Better to ask nicely. Most people don't respond well to threats.

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